St Albans Chamber Choir 

 

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Stabat Mater, 15th March 2008

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Extracts from review by John Manning

 

'For only his third concert since he was appointed conductor of St Albans Chamber Choir, John Gibbons showed his ability to understand his singers with a programme of Easter music.'

'His choice for the concert at St Saviour's Church, St Albans, on Saturday was of pieces from the 16th to the 18th century which were all ideally suited to the choir.'

'The first was the very brief but delightful O Vos Omnes by Italian Carlo Gesualdo. For the piece, John Gibbons took the choir to the eastern end of the church, relatively far away from the audience, a move which added to the effect of the piece.'

'Orlandus Lassus' rich setting of Aurora Lucis Rutilat, a work attributed to the fourth-century Saint Ambrose, was another fine performance by the choir which was split into main choir and sub choir of sopranos for the unaccompanied work.'

'But the group had left their finest performance to the last. They sang Handel's Dixit Dominus with huge enthusiasm and obvious delight. The result was that the incredibly-showy work was packed with life and character.'

'St Albans Chamber Choir appears to have taken on a new lease of life….'

 

 

Entente Cordiale, 19th January 2008

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Extracts from review by John Manning

 

'ALTHOUGH it is only three months since John Gibbons took over as conductor of the St Albans Chamber Choir he is already making a huge impression......'

'All Saints chapel has a rare acoustic quality with an extremely long reverberation time which, although unforgiving, allowed the choir to develop a tremendous sound quality which added greatly to the impact of the Vaughan Williams' Mass.'

'There was a strong sonorous quality throughout the work and particularly fine solo performances by individual members.'

'John Gibbons and the choir developed the full glory of the work to give an exciting and fresh performance. But the interspersed songs, all in French, were equally well performed and their variety was both entertaining and refreshing. Particularly outstanding was the extremely difficult Claude Debussy song Yver, vous n'estes qu'un vilain.'

'The way the choir handled this and the rest of the concert brings hope that the Chamber Choir, which has always had a high reputation, is now set to move on to a more impressive future.'
 

 

Love & Remembrance, 10th November 2007

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Extracts from review by John Manning

‘…the choir gave a tremendous performance of Herbert Howells’ moving work Take Him, Earth for Cherishing.  The piece, written for the memorial service of John F Kennedy in Washington Cathedral, is rightly considered one of the great choral works of the 20th century and the choir’s performance more than did it justice.
Similarly there were good performances of Robert Ramsey’s marvellous anthem How Are The Mighty Fallen and Schütz’s Selig Sind Die Toten.’ 

‘The main work of the evening was the rarely-heard Requiem by the little-known English composer George Lloyd.  Complete shortly before his death in 1998, it is a substantial and tuneful work with some great high points, all of which were well sung by the choir.’ 

‘I have a strong feeling that the new partnership is set to be a great success’


 

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Last modified: 09 December 2007